r/SneerClub archives
newest
bestest
longest
11

Hi,

I’ve lurked here for a while. My opinion on Scott has changed multiple times but what I still don’t get is why you people don’t like his prose. Yes, it’s not succinct, but it’s also cute and pleasant to read. There are much much much (get it?) more criticizable things he’s done than the way he writes.

The rules for sneers clearly state that earnest questions should be tagged NSFW

[deleted]

[deleted]
That analogy is perfect because Sorkin's entire style is affecting intelligence with no actual substance / being incredibly dumb.
I’ve mentioned elsewhere here that my favourite podcast to cook to is The West Wing Thing, which is two screenwriters - one of whom is also a comic - just hammering on Sorkin for this reason
I will give them a listen.
Automatic upvote for Sorkin shade.
I don’t listen to a lot of podcasts, but one I love is The West Wing Thing which I listen to while I’m cooking I haven’t paid much attention since I was in my teens, and one of my friends was super into it, but the podcast itself really works as a deconstruction of the history of liberal ideology over the last 20 years in America, and it’s funny - which is something I have to rely on atm as a politically switched on recovering alcoholic with not much else to do in London Shitting on Sorkin is always fun, basically
> I don’t listen to a lot of podcasts, If you need suggestions, TrueAnon is good. They even have some [sneer-adjacent content](https://www.reddit.com/r/SneerClub/comments/jasqbc/sneer_content_from_trueanon_their_most_recent/).
Yeah I follow them on twitter, but I don’t find the podcast as much fun as I might do, it’s a bit heavy-handed imo
Some of their episodes can get tedious, yeah
I find with podcasting that taking things too seriously can make things tedious. Don’t get me wrong, I’m not saying “treat these things lightly or like they don’t matter”. But I prefer the Juvenalian satire approach where you combine the serious social commentary with a vicious sense of humour, and they don’t always manage to land that.
> That's not even touching his prose on the sentence level, which I would call "Wil Wheaton for the the alt-right" if I were feeling charitable. I agree with this. But on the first part... I've been wondering lately at what point we have to give him credit for mastering a certain form -- or perhaps just knowing his audience. There is, evidently, a big market out there for masturbatory mush used to sell half-baked political opinions.
[deleted]
> "Uncle John's Bathroom Reader for Lonely Engineers" This is funny but I think it misses the mark a bit. Uncle John's had a strict editor that kept nearly all articles to a single page, ensuring that the duration of each article matched that of an ordinary bathroom session. That's not easy. Uncle John had discipline while Scott has writer's diarrhea.
Uncle Johns was also, like, about *things*. That, like, exist.

[deleted]

I think, Siskind style is a form of "preaching" (let's call it preaching for the lack of a better term?), when the preacher aims to overwhelm the critical faculties of the listener, hoping that the listener finally gives in and accepts the word of the preacher unconditionally.
Yeah that’s a pretty good metaphor

http://www.eruditorumpress.com/blog/the-beigeness-or-how-to-kill-people-with-bad-writing-the-scott-alexander-method/

This is literally the answer to OP's quiestion.
Indeed, and there's not much more that needs to be said. But it comes across even more clearly from her (and you) in [that podcast](https://idontspeakgerman.libsyn.com/82-scott-alexander-slate-star-codex-with-david-gerard-and-elizabeth-sandifer) that Siskind's famous verbosity might be not just a casual lack of (self-)editing, but rather an intentional game to prevent himself from being directly quoted and challenged on what he actually believes, with a long meandering garden path that only obliquely approaches a thesis statement that's worded in vague Martian syntax if it's explicit at all.
Yeah, I’ve come down on the side of “it’s a deliberate rhetorical trick”. I think the best example of a catastrophic lack of an editor would be someone like Glenn Greenwald, who goes more for the “incoherent screech of rage” style now that he quit his last job with an editor.
very non provably not
I still maintain that "[a man] who flirts with neoreaction like a horny teenager befuddled by a bra" is still the best description of Scott yet penned.

Well the first problem with his overly verbose prose is he uses it (possibly deliberately) to disguise what he is actually saying. Scott’s credibility would absolutely plummet if he did something like write an introduction which states his thesis clearly and a basic overview of the arguments he uses to support it. He uses this verbose vagueness to hide what he is actually saying, instead of just saying what he thinks he coyly hints at it, unnecessarily inventing new terms and sayings in order to “explain” what he is doing. This vagueness is then used to go “you don’t understand what I really mean” to his critics.

Scott’s writing style is also heavily influenced by one of his least attractive qualities, his terror at being confronted by any real world consequences for his writing. This results in him a lot of the time doing the literary equivalent of grovelling on the floor, whilst simultaneously not actually thinking about why his writing might provoke consequences. “Is it my misogyny, classism and racism? No it must be that the leftists are too emotional and irrational”.

Scott also is serially incapable of looking at the world from anyone else’s perspective. As some one who has actually read Unsong one of the real problems he faces in his writing is that he really struggles to write characters that are not like him. The characters in the book basically all have some variation on the same background “white, middle class, somewhat well educated, male (even for those who aren’t male), unemotional”. I mean there are some supposed exceptions, (that king who declares a war on hell) but they all seem to absorb most of those attributes/values through osmosis, or just being written by Scott even if in theory they shouldn’t have them. The one thing he sometimes adds on to those attributes is a weird caricature of University radicalism. Which isn’t a big improvement. This lack of empathy/imagination extends to the rest of his writing.

He also has a really bad habit of not using evidence properly, if at all. Scoot habitually makes a show of pretending he understands a lot about a particular domain when he really doesn’t. Which has been looked at to death on this subreddit and is one of the defining traits of a rationalist.

Basically he writes long, inaccurate, cowardly screeds which show both a lack of imagination and a lack of empathy. You also get a real sense that he is like that incredibly smug and vaguely racist uncle you see every year at Christmas and that he thinks he is a unique, special and smarter than you. Which is generally not the sense writers try to give off in their writing.

This was not a well written or well structured comment and ironically it’s far too long. But ehh, I’m writing on Scott, my defence is that I just want this to be over.

>“The boring blade penetrates the shield” --Scooter Halleck, probably PS: you did a good job deconstructing the thing!
> Unsong Huh, it makes so much sense that it's this guy who wrote that theologically incoherent piece of crap.
To be fair - and speaking from my bit as an absurdist writer of poetry and fiction - I would give some credit to Unsong for essentially fondly satirising rather than actually trying to represent Kabbalah As /u/Sag0sag0 points out, it isn’t a masterpiece by any means, but it plays with a few ideas in a pretty fun way I’d much rather read that serial than his or any other rationalists usual shtick
Yes, it was a fun schlocky read till it ended, then it pissed me off with the thesis.
I never got far enough into it to notice the thesis, I just noticed that it existed and spent a short time now and again picking it up As much as I find the fetish for world-building irritating in some sci-fi there were fun bits of world-building in there I’m guilty of that sort of thing in my own stuff but I try to be self-conscious of it in a way less irritating
The first few chapters, and TBH the entire Aaron/Sarah subplot, is so much better than the rest of it. (My personal opinion on why is that Aaron is a realistic and flawed character: or in other words, he's the kind of character who can meaningfully be well-written. All the other major characters are magic super beings, but Aaron is just a normal guy who has stumbled on one neat trick. (And furthermore his flaws are a lot like those of the rationalist community in general, so watching him fuck up very badly is appealing to me for reasons I shouldn't need to explain here.))
I mean to give him credit it could have been so, so, so much worse theologically. Like imagine Big Yud doing the same topic. But I agree it’s very much on the meh side of web serials.

Word count. Waaay too many words. Every aspiring writer strives to say more with less (except possibly Michener). And if I want “cute” I’ll read cartoons.

> Michener Getting through the last half of Chesapeake was a slog. There were some fun bits in there (the madness with the punt guns, for example) but they were quickly outnumbered by 10+ page stretches where nothing happened.

I’ve enjoyed his writing at times. Sometimes I’m in the mood for a discursive tour of some random topic that flatters me by making me feel more intelligent than I actually am. I’ve enjoyed it less and less as I figured out that he considers himself the Kolmogorov of racism, though.

It does depend on how you look at the question. Scott's writing can be engaging and clever. It's what he aims to convey with it and how. If you were to evaluate his writing purely for entertainment, it's not the worst thing that it's all over the place. When you examine his non-fiction and its messages, you'll find the issues others have highlighted in the comments. The longwinded style obfuscates the weakness of his argument (or an entire lack of one) and works to slip his desired conclusions through. And once you stop passively accepting it and start reading with an eye towards figuring out what he's really saying underneath all the logorrhea, it hits different.
Personally I disagree. I think his writing is bad even on the level of prose style. It’s *superficially* clever, but actually the over-extended metaphors just serve to obscure the point. This is a good tactic if you want to appeal to a certain kind of reader. Nonetheless it doesn’t really communicate, except by appealing to what the reader already wants to hear. The reason I disagree is less that I disagree with your overall point - I agree with that - than that I think that that’s not entertaining or engaging beyond such a shallow veneer.
I thought I was reserved in how I phrased the positives, and personally waffle between "I can definitely see why people call his prose shit" and "I've enjoyed his short fiction and know I'm far from alone in that". Where I'm coming from with the previous comment is the OP defended Scott's writing as "cute and pleasant to read", and I wanted to lay out that even if we granted that much (and conditionally I could do so), it just isn't the whole story still.

Can you show us an excerpt of his writing that you think is “cute” or “pleasant”?

I’d disavow “pleasant” but for a certain definition of “cute” there’s an argument to made here. Tom Wolfe wrote “cute” prose, as much of a shithead as he was. “Cute” is a low form of prose style which Siskind excels at: all those drawn-out metaphors that serve only to give cover to the fundamental shallowness of the idea.
Agreed; I just want to see what nails-on-chalkboard twee writing gets classified as "cute".
Although they're very different in content, Scott's writing style reminds me *a lot* of Dave Eggers's. Especially his blogroll headings.
Yeah I totally get that One of the grand ironies of Eggers is that even though he wrote *The Circle*, a satire of Silicon Valley politics, in practice he adopts the background literary opinions and politics of the people he’s supposed to be satirising All that meta-modernism stuff where you cruelly chastise people who aren’t as successful as you are (which is what he does) for being sarcastic or cracking a joke now and again is 100% the Google management ideology he’s supposed to be satirising
yes, we need the "good" examples

Read the link typell gave.

Succinctly though: The verbosity only serves to hide the inanity of his conclusions and mislead people about the distance between his starting observations/assumptions and his final conclusions.

But don’t take my word for it, examine the linked post.

1 - panders to the prejudices of his sniveling audience. remember blue tribe/red tribe/grey tribe - an essay that appeared to have been written by someone who has no knowledge of what a tribe is, how they arise or what they do

2 - deeply ignorant. like just punishingly ignorant of the most basic facts of history and life. you can tell this by the way he invents elaborate new jargon for what has been a very ordinary everyday concept for ages.

3 - worthless trash. does nothing to improve anything except his tech and white supremacist buddies’ bottom lines.

4 - his fiction is marred by seventh-grade-tier science fiction concepts, sixth-grade-tier dialogue and kindergarten-tier characterization. no wonder fanfic and Worm impresses these dopes.

a "useful idiot" for the farright at best

it’s also cute and pleasant to read

What?

Read some Jane Austen or some shit IDFK what is wrong with your values system but I’m certain the cure for it is reading some actual books

Heck, even within just online writings, stuff like Ra exists that works better in every way.
I think Ra is pretty subpar prose-wise, or maybe I'm confusing it with MoL, or maybe I'm confusing both of those with PGtE, but if the alternative is Siskind's quagmire of nonsense, then more power to the readers of...whoever it was that wrote those things.
it's fuckin Dostoyevsky compared to rationalfic
Ra is the "spells are programming" one that goes very cosmic later on.

Because motherfucker absolutely loves to express an idea that should only take a hundred words with, like, a thousand. I get why people like it, that it’s very slowly gradually taking you through his thought process. But a lot of the time it ends up not being thinking through a complex topic but thinking through a not-that-complex topic very very slowly.

It occurs to me that the primary aesthetic appeal of scott's writing may be that it most closely resembles a casual conversation on a topic that you have to do some work to find people to casually converse about, and scott's ideal reader is someone who doesn't talk to people too much.

Good prose isn’t defined by word count. In fact, the ability to succinctly state what you mean without using layers of invented vocabulary is a hallmark of a good writer.