Generalities:

My favorite pastime is learning.

If something is unconventional it’s typically better for it.

Music is crucial and experiencing it is mandatory - be it through listening or creating.

Reducing suffering is the best life goal I’ve come up with.

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Joined 2 years ago
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Cake day: June 12th, 2023

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  • Sure thing. There’s a lot to take in, I know. Just keep in mind, as with anything, the more you do it everything will begin to make more and more sense. It’s important to get through the process though. When you’re able to move through synthesis with intentionality it’s like opening up a new world with endless possibilities only bounded by your imagination and the capabilities of the synth you’re using.

    This isn’t a bad video for a beginner. It covers a lot of fundamental concepts. He speaks a bit fast, so slow speed by 10% if you’re having trouble following. It’s a long video because it covers so much ground, so be ready for that. I hope it helps in your process!

    https://youtu.be/jWorjBDcty4?si=hcXsI0_vOge2gEas




  • Last I saw it isn’t actually clear whether or not Fadades is parody or legitimate. Very clear in any either case that Fadades is great.

    Especially within a genre like black metal where bands will make contra-conventional artistic decisions by way of course as it is, stumbling upon a vibe like this out of honest artistic expression vs. deriving it with a manifest ambiguity where the tongue seems to sprout from the cheek almost hardly matters. However Fadades came to be, it’s a monument to whatever it actually is.










  • I think these all merit a mention given what you’re looking for. Whether or not they hit square is up to you.

    The Fall (2006) - A bit flat in the story department, but this was clearly a film focused on being a feast for the eyes. It succeeds in that handily.

    The Great Yokai War - Ever wondered what would happen if Takashi Miike directed The Never Ending Story? This is something like that.

    Tuvalu - Almost like if you smashed the aesthetics of Jean Pierre Jeunet and Guy Maddin together. The dialogue is hyper-minimal, but it you can get on board with the overall approach this film is a gem.