Founder of European Graphic Novels+, Aug '23 on Lemm.ee. With super-gratitude towards some ‘Blazing & Rimming’ Dudes for enabling our move, in which now we can abide. :D

https://piefed.social/c/eurographicnovels

  • 12 Posts
  • 501 Comments
Joined 6 months ago
cake
Cake day: June 11th, 2025

help-circle

  • One of his masterpieces.

    Also fits in to a theory I had when reading a collection of early-to-midlife FS cartoons-- Larson’s decisively best stuff existed in a relatively brief window of ~'88-90. Earlier stuff tended to be clumsy, as he was working out how to best deliver his strips, and later stuff was increasingly (even alarmingly) derivative. Leading him to eventually come to terms with that, and retire the strip early, great as it was.

    Not sure if that’s a completely fair opinion to have, just that it was my working conclusion at the time.















  • I’m working on something of an article to that effect, but… I also have other things going on, and worry that by the time I’ve hit all the key points and polished 'em up, it will be completely outdated. Obligatory lol.

    I guess a couple key points for that general LLM article would be:

    • Going in, it’s pretty dang important to understand exactly what a modern LLM is; what it’s strengths and weaknesses are. How they can vary widely in quality and usefulness depending on their engines and platforms you access.
    • Just like people who sound extremely sure of themselves, I think it’s geberally helpful to think of LLM’s as highly-opinionated friends who sometimes have the ability to be incredibly incisive and useful on certain matters, but can also be incredibly flawed, even upon very simple stuff.
    • Also hugely important based on service involved to get a feel for where they’re most reliable, and where they can be downright disastrous to rely upon.

  • You haven’t heard a song NOT using it since at least 1998.

    I have a very hard time believing that, unless of course sound engineers have been doing “manual-tune” for ages and ages (see below). Regardless, loads of singers who perform in front of others clearly have the ability to sing a song in a variety of ways depending on mood, venue, audience, occasion, etc. In short-- good singers REALLY ARE that talented, generally with excellent pitch, and don’t need assistance in something as basic as singing notes close enough to pitch-perfect without the need to be absolutely perfect.

    Just look at how improv singers can do so well, or people performing in front of judges, or opera and opera-style singers performing in concert halls, like Charlotte Church.

    I would guess the one argument of yours that holds some water is with flawed singers who are otherwise good, but have chronic problems hitting close-enough pitch, or really good singers trying to perform songs slightly outside of their range. Stuff like that…